So, a... You might get a little seasick with all the up and down movement of the speaker's voice. Form and Meter. The poem at the beginning is simply a narration about what happen in a particular day. But since it's not too long of a poem, it shouldn't be that bad. This one stanza poem stretches down the page and is full of vivid imagery and figurative language, the poet going deep into the act of the capture and coming up with a … Elizabeth Bishop’s “The Fish”: Analysis… “The Fish” by Elizabeth Bishop is saturated with vivid imagery and abundant description, which help the reader visualize the action. Poet Elizabeth Bishop and Marianne Moore liked to talk (and write) about fish.

One of the interesting things about "The Fish" is that the reader discovers the significant aspects of the fish as the speaker of the poem does. Analysis It is probably not surprising to fans of Moore’s poetry that “ The Fish ” is only barely about fish; rather, it is a phantasmagoric and simultaneously beautiful and disturbing view of the ocean, its creatures, and the cycles of life and death. That's not to mention some not-so-obvious symbolism that makes the poem more meani... "The Fish" first appeared in "The Egoist" in a very different form, before all those fishy revisions. The Fish (Marianne Moore) Analysis. Symbols, Imagery, Wordplay. The aesthetics of her poems meant a lot to the overall appreciation... We've got plenty of lines in "The Fish" that can be a bit difficult to decode, what with all the ambiguity we see. By using syllabic verse, Moore is able... At first glance, our speaker may sound like she's kind of all over the place with the constantly shifting moods, subjects, and imagery. The fish aren't having any sex in this poem, so we're keeping things G rated. (Source.) Okay, maybe the Count wouldn't love this poem as much as we do with all the flip-flopping number of syllables, but that form serves an important purpose here. Written by people who wish to remain anonymous Reflecting the commercial attitude, she in her imagination unskins the flesh of the fish for commer… In fact, without it, we wouldn't really know the subject... Moore can be considered the poster child for "modern" poetry, the sort of style poets were experimenting with after World War I.
In her narration about the fish the commercial attitudes are reflected. Okay, maybe the Count wouldn't love this poem as much as we do with all the flip-flopping number of syllables, but that form serves an important purpose here. We are thankful for their contributions and encourage you to make your own.
Elizabeth Bishop And A Summary of The Fish. The Fish Analysis These notes were contributed by members of the GradeSaver community.

She begins with the description of the skin and includes other parts like white flesh, gills, bones, lip, jaw and so on. Titles are very important to Moore's poems. We see her using the title of "The Fish" in a way that is directly connected to the poem's body. And then we're in the sky—nope, make that back in the sea. The speaker narrates her catching of a big fish and other small fishes too. But when we actually get through the entire poem, we see that... We're under the sea in "The Fish," but then we're above the water for a moment checking out a beat-up cliff that's also "defiant."